the critique of the 8 hour day that’s going around seems to be missing something essential about capitalism. namely, that it doesn’t matter whether one’s life is fulfilling or not. capital profits when you’re happy and when you’re unhappy, when you’re fulfilled or unfulfilled.
it also takes…
June 2013
But the 8-hour workday is too profitable for big business, not because of the amount of work people get done in eight hours (the average office worker gets less than three hours of actual work done in 8 hours) but because it makes for such a purchase-happy public. Keeping free time scarce means people pay a lot more for convenience, gratification, and any other relief they can buy. It keeps them watching television, and its commercials. It keeps them unambitious outside of work.
We’ve been led into a culture that has been engineered to leave us tired, hungry for indulgence, willing to pay a lot for convenience and entertainment, and most importantly, vaguely dissatisfied with our lives so that we continue wanting things we don’t have. We buy so much because it always seems like something is still missing.
” —Your Lifestyle Has Already Been Designed (via beccap)Susan Y. Najita, Decolonizing Cultures in the Pacific: Reading History and Trauma in Contemporary Fiction
(via sociophilia)
In order to understand why transphobia and cissexism persist and are continually perpetuated throughout feminist communities, particularly the vegetarian-ecofeminist community, it is important to consider the origins of anti-trans advocacy as a conscious project of prominent, elite White feminists in the 1970s. In the late sixties and early seventies, trans people were very active in the women’s and queer liberation movements. The Compton’s Cafeteria and Stonewall rebellions of the sixties are evidence of that, as are women like Beth Elliot of the Daughters of Bilitis, Sandy Stone of Olivia Records, and Stonewall veteran Silvia Rivera who was a founding member of the Gay Liberation Front and the Gay Activist Alliance.
So it’s important to keep in mind that trans women, and trans people more generally, were an integral part of the early women’s liberation movement. But in the mid- to late-seventies, there was a transphobic backlash within feminism to systematically remove and exclude trans people, explicitly transsexual women, from the women’s and queer movements. For example, Rivera was targeted and physically attacked by cissexist women separatists at a gay rights rally. Elliot was targeted by Robin Morgan and separatists at a lesbian women’s conference. Stone was targeted by Janice Raymond and forced out of Olivia Records with threats of a boycott. And Gloria Steinem of Ms. magazine openly attacked trans women.
” —The Biotic Woman: Talking About Transphobia and Ecofeminism With Ida Hammer (via socialistexan)
brb printing this out and plastering it all over this house and other feminist/queer spaces…
(via nilsander)
masculinity
will gut you
like a fish,
keep your insides
for nutrition
while tossing
your body
back lifeless
and bloodied
to drown among
the others
like you
who must swim
past your carcass
to avoid
the hook
just one day longer.
i’m always weirdly proud when my pee is clear because it’s like fuck yeah i’m so hydrated
ME TOO and then i’m really disappointed in myself when it’s not clear
Social justice movements tend to spring up around issues that most people don’t get. Social justice movements tend to spring up around issues that, to most people, don’t seem to matter that much. If people understood that the issues mattered, then organized movements to promote them wouldn’t be necessary.
Until their issues are properly understood, most social justice movements, almost by definition, are going to look whiny to most people. If you can’t understand why the things people are complaining about matter, those people are going to look whiny to you. That is, they’re going to look like they’re complaining about things that don’t matter.
Something to keep in mind when you’re thinking about accusing people in a social justice movement of being whiny: every social justice movement looks whiny if you don’t understand their issues. A lot of the time, the fact that calling attention to their issues is perceived as whiny is precisely the reason why the movement is necessary in the first place.
” —A Thought on Social Justice and Being Whiny | Research to be Done (via brute-reason)Where is it that your piece is set that there just aren’t any POC there? I mean, I’m sure there are places like that. Wherever it is that white people fly to when they take white flight comes to mind. Maybe you’re writing a story set in a gated community in the suburbs of Portland (Ranked Whitest city in the US based on census data!) Maybe you’re writing a story with a very limited cast, like a family saga of a white family, or a Protagonists-vs.-nature survivalist story where there just aren’t very many people.
But even if that’s the case?
It is relevant to ask yourself why you chose to set it there.
Because this brings back the argument of ‘It wouldn’t be realistic to have POC there!’
I mean, it’s not TRUE that there were no POC in medieval Europe… But it’s a well-accepted cultural myth. And given that myth, the question still begs: Why are so many people so eager to choose to set their stories there? Why are people deliberately choosing places where the audience will accept ‘POC just don’t exist here’?
Why are the fairies in Ferngully white, when the movie is set in Australia?
Why is it that the only black people in Middle Earth are orcs?
Why are there Chinese words but no Chinese people in Firefly?
Why did Pixar make a movie set in (whitewashed) Medieval Scotland?
What’s the explanation for the overpowering whiteness of LA in Buffy The Vampire Slayer?
Why are white Disney Princesses from ahistorical fantasy-worlds, but POC princesses have to be from quasi-historical locations? Pocahontas is from Virginia. Mulan is from China. Tiana is from New Orleans. Meanwhile Cinderella, Rapunzel, Snow White, and Aurora are from unknown and untagged Kingdoms. Ariel lives in what appears to be a Caribbean reef, but all the humans and mermaids are white. Why do the POC princesses need scaffolding to explain why they’re there? Why are the POC Princesses -not actually Princesses- (unless they marry into it, in Tiana’s case)?
The answer to all of these is, of course, ‘creator choice’. Individual TOTALLY NOT RACIST (tm) people made individual choices.
But these choices aren’t made in a void.
So, yeah. If you don’t have POC characters in a piece with a sizable cast, it’s probably pretty racist. Even if you set it somewhere where GOSH, there just AREN’T any POC and that’s not your fault! They just aren’t there!
Because why are you setting it there?
Does the story REALLY demand that? I mean, some stories do; Downton Abbey is set in WWI Era England among a particular rich, landed family; the story is kind of about how awful that place and time was. The Secret of Roan Inish is set in a remote area of Ireland that hasn’t seen immigration since the vikings stopped showing up, which is relevant because some dude decides to fuck a sealfairy because she’s a slightly different shade of white and that’s kind of a crux of the story. Both of these are good and sense-making narratives where POC are thin on the ground.
They still don’t exist in a void.
The creators chose these stories about white people as the important ones to tell.
That’s worth looking at critically.
When the Department of Housing and Urban Development first began to systemically study housing discrimination in the United States in the 1970s, the most blatant forms of it were still common.
Blacks were denied appointments to meet with real estate brokers or rental…
- Bart Schaneman, If I Could See All My Friends Tonight (via genericpink)
New essay up at Thought Catalog here.
(via bartschaneman)
A while ago, I penned a fairly angry response to something circulating on the internet – the 21 Habits of Happy People. It pissed me off beyond belief, that there was an inference that if you weren’t Happy, you simply weren’t doing the right things.
I’ve had depression…
